The collection contains fifteen stories, all of them original with the exception of Kim Stanley Robinson's Venice Drowned. This story was published in 1981. In a way the premise is depressing. The anthropocene to which the subtitle of the anthology refers is a proposed geological era to follow the Holocene. An era in which human activity has a profound impact on the Earth's geology, climate and ecology. An era of rapid change and mass extinction. An era that, whether or not we label it as the anthropocene, has become inevitable. The stories echo that realization. They show us flooded Earths with humanity scrambling to adapt, or far futures in which the remnants of our society make our descendants shake their heads at our hubris. The whole anthology displays a kind of resignation that is more than a bit worrying.
Strahan in his introduction puts it like this:
We are, it has become clear, living in the Anthropocene, that time when human actions start to have significant impact on the Earth’s geology and ecosystems. It is a time of darkness and disaster, and it’s a time we have to face, to confront, and to combat. There will be triumphs among the disasters, humanity among the apocalypse, and those are the stories that could appear in the right book. And my editor agreed, and so the book you are now holding was born.In doing so, he raised expectations the anthology doesn't live up to. Many stories use some form of drowned world as a backdrop without really engaging thematically with it. Which was what I was hoping to find more of.
As such I didn't really feel it was a great anthology. Individually there are some good stories in it though. Robinson's story Venice Drowned is interesting for fans of his novels. When it was first published it would be another three years until his first novel came out. It is not a very plot oriented story but a scene he would repeat later in his career. A main character more or less on his own, forced by some emergency to really connect with his environment and in doing so overcoming a personal crisis. It reminded me in particular of Sax' adventure after losing sight of his vehicle during a dust storm on Mars. More recently, Loon, the main character in Shaman is another good example.
Who Do You Love? by Kathleen Ann Goonan is one of the stories I liked. It's a well written tale that combines a love story and a generational conflict with sea level rise, coral bleaching and a desperate attempt to save some of the riches of the Caribbean coral reefs. I liked Goonan's use of different points of view in particular. Another strong story is The Common Tongue, the Present Tense, the Known by Nina Allan. It may well be the best story in the anthology. It's a story about the friendship between two women in a post apocalyptic world. One still has one foot in the old world, thinking back on the past and her uncle's research. The other seems to have embraced the present world as it is, although that might be to push away past traumatic experiences. Some fine characterization in this story. It is emotionally powerful too.
The last story I want to mention is the final one in the anthology. The Future is Blue by Catherynne M. Valente is probably the most depressing story in the anthology. It is set in a floating isle of garbage on one of the world's much enlarged oceans. The story is about hope but also disillusionment. The main character is unfortunate enough to figure out the state of the world. Where the great garbage patch as a whole likes to pretend everything will go back to normal at some point, she knows this is not the case. A better parallel for what our society is doing at the moment one could scarcely imagine. Maybe Strahan put it at the end of the anthology to leave us with a warning of what the consequences of ignoring the obvious might be.
All in all Drowned Worlds contained many more forgettable stories than memorable ones. As such I was mildly disappointed with it. There are too many stories that only superficially deal with the chosen theme. It turns the anthology into a parade of half-hearted images of what sea level rise might look like, overlaid with decent but not special plots. One can't help but wonder if the anthology wouldn't have benefited from a slightly wider theme, if only to make it a bit more varied. But even with a narrow theme I can't help but feel there ought to be a better selection out there.
Title: Drowned Worlds: Tales from the Anthropocene and Beyond
Editor: Jonathan Strahan
First published: 2016