Having read the Paksenarrion trilogy and the four first books in Paladin's Legacy, I was already somewhat acquainted with Elizabeth Moon's writing, and as far as her works of Fantasy go, I really enjoy her books. So when I picked up Remnant Population for my reading challenge, I was quite excited to finally try something of hers in a different genre. Released in 1996, this book was nominated for the Hugo Award for best novel the year after, which eventually went to Blue Mars by Kim Stanley Robinson.
Ofelia Falfurrias was one of the original colonists of Colony 3245.12, arriving with her family to settle on the planet that would be their home for the next 40 years. During those years, her husband and all but one child died as did many of the other colonists, their death rate forever matching or exceeding their birth rate. When we enter the story, the authorities have revoked the Sims Bancorp's franchise to run the colony as it is considered a failure, and they have no choice but to disband it. As for the colonists themselves, they are to be forcibly shipped off in cryo-sleep to wherever the company feels like sending them. When Ofelia finds out that her family will be deducted for the cost of moving her from one place to another as she is considered too old to be of any further use for the Company, she decides to stay behind. There is a good chance her age will cause her to die while in cryo-sleep anyway, so why not spend what is left of her life where she buried her children and her husband?
On the day of departure, she hides away in the forest until she considers it to be safe to return to the village knowing that with their deadlines, the Company will not waste much time looking for one elderly colonist. At this point, she starts a fairly different existence to the one she has been forced into for so many years. Finally, she is free to play and to do what she herself wants to without fear of censure from the rest of the community, a freedom she hasn't had since she was a little girl. In spite of the work she has to do to stay alive, she is quite happy with her situation, when one day, a second group of colonists arrives, intending to settle somewhere to the north. As she listens to them, she unexpectedly becomes a witness to them being slaughtered by what cannot be anything other than sentient beings. For the first time since she herself arrived on this planet 40 years earlier, she realizes that the colonists were never alone.
It never ceases to amaze me how, no matter what kind of technology we as humans acquire or what kind of amazing things we can do, in most science fiction novels I have read describing all these wonderful things, the genders keep behaving as if they were still stuck in the Victorian era of our world, or worse. One would think that after having figured out how to move people across the universe, and how to colonize on worlds with ecologies not suited to support human beings and so on, there would be some improvement in the social spheres of life too, but no such luck. Among the colonists of Colony 3245.12, while men and women are taught to do the same jobs, it is considered the right way of things that the men should control the women, and the adults should control the children. Using violence to achieve either of these two, seems to be commonly accepted. When they are offered another way to look at things, they also respond with violence. Of course, it should be noted that the Company chose for their colonists to be uneducated people, set in certain ways and traditions, yet easy to form into what they needed and without too many ideas of their own. That, along with the placement of the colony itself, was most likely a factor that helped doom it to fail from the start.
I do like, however, how Moon hits right on the head how we as a society tend to treat our old people, in this novel illustrated in part by how an old woman is thought of no further value once she is past her child-bearing years. Where we should perhaps have cherished and honored them for their knowledge and their years of experience, we tend to write old people off as useless, someone who only takes up time and space; a bother. As the story unfolds, Moon shows us how things could have been had we considered their value differently, and appreciated them for what they were, and made use of their experience. And then she reminds us again, quite firmly, that this is just not the way of most human beings.
What I liked best about Remnant Population is how most of the story is told from the point of view of an old woman. She is often thinking about her aches, she is often grumpy, and she is completely aware of the fact that she does not know everything - although sometimes her general life experience makes her more knowledgeable than she gives herself credit for. She is an unlikely heroine, I think; I know I was surprised when I found out that the story would revolve around her, and not someone younger, or of a different gender - or both! Considering that that is what I have been served in most of the science fiction I've read till now, this was actually a nice surprise.
As a linguist, I guess I should also mention that once first contact is made between Ofelia and the unknown beings inhabiting the planet, it is fascinating to see how they go about trying to communicate with each other. Especially with their starting points being so completely different from each other and, at first glance, with no apparent common ground from which to get started.
All in all I really enjoyed this book, despite my general annoyance with sexism in science fiction. I guess it is not a overly exciting story as such, as a lot of the descriptions are of the daily toils of the main character; mundane tasks such as weeding the kitchen garden, fixing the houses, knitting, painting and cooking, and so on. Still, I kept wanting to go on to see what would happen next, especially once the unknown beings were introduced to the storyline, and I was never bored. It does not seem to matter that much to me whether Moon writes fantasy or science fiction, I seem to enjoy the results regardless.
Book Details
Title: Remnant Population
Author: Elizabeth Moon
Publisher: Ballantine Books
Pages: 325
Year: 2003
Language: English
Format: Paperback
ISBN: 978-0-345-46219-0
First published: 1996
- Almost entirely random comments on whatever it is I am reading at the moment -
Showing posts with label Elizabeth Moon. Show all posts
Showing posts with label Elizabeth Moon. Show all posts
Sunday, June 22, 2014
Sunday, May 26, 2013
Sheepfarmer's Daughter - Elizabeth Moon
I ran out of books to read on my recent trip to Norway so I borrowed one of the books that my girlfriend had left behind. Sheepfarmer's Daughter is the first book in Moon's Paksinarrion series, the later books of which my girlfriend is very impressed with. This novel also had the added benefit of meeting the criteria for the WWend Women of Genre Fiction reading challenge as I have never read anything by Moon before. The series currently has eight books published, with a ninth coming next month and a tenth expected. Sheepfarmer's Daughter is also part of The Deeds of Paksenarrion, an omnibus collecting the first three books in the series.
When eighteen-year-old Paksenarrion "Paks" Dorthansdottir is forced to marry a neighboring pig farmer, she decides that life is not for her. Although her father expressly forbids it and has already paid her dowry, she decides to run off to join a mercenary corps and find wealth and glory as a soldier. This novel follows Paksenarrion during the first two campaign years with her company. Years that show that she is no ordinary soldier but that fighting is in her blood. So much so, that the deities of her world appear to take an interest.
I can't say I liked this book very much. At first glance it was probably refreshing to have a female protagonist of a fantasy series, which were in very short supply at the time. Almost the entire story is seen though the eyes of Paks, who does a great many soldiery things without showing any interest in finding a husband or raising a family. She is not a the only female soldier but they are a minority and she has to prove herself equal to a man at several points in the novel. Which she proves to be as far as the physical aspects of soldiering go.
A strong female main character she may be, she is also intensely annoying. She is loyal to a fault for instance, ending up with one of the noble mercenary companies in the realm. The reputation mercenaries have for turning to the winning side as soon as the odds appear to be against them may be a bit exaggerated in Fantasy but the fierce loyalty commanded by the Duke that leads them strikes me as very unlikely. They fight for money (during their first year that is) and that alone, generally doesn't inspire heroics. It is not until one of the competing mercenary companies acts against the conventions of the trade that their motivation becomes a shade more likely.
Paks is surrounded by, with a few exceptions, very well behaved and disciplined soldiers. They are career soldiers, not press ganged, no convicted criminals, no desperate men and women running away from enemies, debts or poverty. In fact, in many cases one wonders what prompted these men and women to take up a profession with a very high risk of premature death. Paks has a motivation, which is dealt with in about three pages at the very beginning of the novel; the secondary characters are mostly decoration.
Another problem with the novel is that it contains very little plot for a five-hundred page text. Most of it is taken up by very detailed, and rather dry, descriptions of Paks' training an daily activities as a soldier. Most of which is not very exciting. Soldiering is mostly make work, routine and waiting after all, battles are infrequent. Moon has the unfortunate tendency to explain what is going on to the reader by having Paks ask lots and lots of obvious questions. It makes her seem very dull witted to say the least, especially because she almost never seriously questions what she is told. Paks is a good soldier in the sense that she follows orders and feels supremely guilty when some unforeseen circumstance prevents her from doing so or necessitates she does something else instead. Add to this the tendency to repeat certain information over and over in dialogue and you get a novel that is very slow in actually pushing the plot forward.
Because we see most of the story form Paks' point of view, we generally have no idea what is going on in the rest of the world. The Duke directs them to go certain places and fight certain enemies for reasons that are very unclear most of the time. Paks has no idea what their long term goal is. She also doesn't display much in the way of ambition other than the rather childish dream of being a great warrior on a big warhorse. The politics of the world are largely uninteresting for Paks, she shows little interesting in the non-human sentients of her world (your regulars elves and dwarves mostly) and she doesn't seem to be very religious either. Even after it becomes clear that one of the gods worshiped in this world has taken an interest in events, Paks shows no initiative in finding out what is going on. Same goes for the magic she encounters during her travels. It is mention but never explored in any depth.
What remains is an account of two campaign years. Moon obviously has a good idea of how an army works, what it takes to move one and supply it and what the human toll of the fighting is. The military detail overwhelms the plot and bogs down the novel in several places however. As much as I appreciate the care Moon took to paint a realistic picture of what campaigning is about (if we overlook the fact that her soldiers are a bit too well behaved to be completely believable), it simply gets in the way of telling a good story.
So what does that leave us with. Sheepfarmer's Daughter is essentially five hundred pages of Paks going through the motions of becoming a mercenary and finding out how to be a good soldier, a lot of which is no more interesting that my average day at the office. She does what she is told, never seriously questions what she is doing and turns out to be good at pretty much everything she is required to do. In short, neither Paks, or the events described in the novel really managed captivate me. It is readable but I wouldn't go as far as calling it good. I understand that Sheepfarmer's Daughter was Moon's first published novel. One can only hope she has improved plotting and characterization since.
Book Details
Title: Sheepfarmer's Daughter
Author: Elizabeth Moon
Publisher: Baen
Pages: 506
Year: 2000
Language: English
Format: Mass Market Paperback
ISBN: 0-671-31964-7
First published: 1988
When eighteen-year-old Paksenarrion "Paks" Dorthansdottir is forced to marry a neighboring pig farmer, she decides that life is not for her. Although her father expressly forbids it and has already paid her dowry, she decides to run off to join a mercenary corps and find wealth and glory as a soldier. This novel follows Paksenarrion during the first two campaign years with her company. Years that show that she is no ordinary soldier but that fighting is in her blood. So much so, that the deities of her world appear to take an interest.
I can't say I liked this book very much. At first glance it was probably refreshing to have a female protagonist of a fantasy series, which were in very short supply at the time. Almost the entire story is seen though the eyes of Paks, who does a great many soldiery things without showing any interest in finding a husband or raising a family. She is not a the only female soldier but they are a minority and she has to prove herself equal to a man at several points in the novel. Which she proves to be as far as the physical aspects of soldiering go.
A strong female main character she may be, she is also intensely annoying. She is loyal to a fault for instance, ending up with one of the noble mercenary companies in the realm. The reputation mercenaries have for turning to the winning side as soon as the odds appear to be against them may be a bit exaggerated in Fantasy but the fierce loyalty commanded by the Duke that leads them strikes me as very unlikely. They fight for money (during their first year that is) and that alone, generally doesn't inspire heroics. It is not until one of the competing mercenary companies acts against the conventions of the trade that their motivation becomes a shade more likely.
Paks is surrounded by, with a few exceptions, very well behaved and disciplined soldiers. They are career soldiers, not press ganged, no convicted criminals, no desperate men and women running away from enemies, debts or poverty. In fact, in many cases one wonders what prompted these men and women to take up a profession with a very high risk of premature death. Paks has a motivation, which is dealt with in about three pages at the very beginning of the novel; the secondary characters are mostly decoration.
Another problem with the novel is that it contains very little plot for a five-hundred page text. Most of it is taken up by very detailed, and rather dry, descriptions of Paks' training an daily activities as a soldier. Most of which is not very exciting. Soldiering is mostly make work, routine and waiting after all, battles are infrequent. Moon has the unfortunate tendency to explain what is going on to the reader by having Paks ask lots and lots of obvious questions. It makes her seem very dull witted to say the least, especially because she almost never seriously questions what she is told. Paks is a good soldier in the sense that she follows orders and feels supremely guilty when some unforeseen circumstance prevents her from doing so or necessitates she does something else instead. Add to this the tendency to repeat certain information over and over in dialogue and you get a novel that is very slow in actually pushing the plot forward.
Because we see most of the story form Paks' point of view, we generally have no idea what is going on in the rest of the world. The Duke directs them to go certain places and fight certain enemies for reasons that are very unclear most of the time. Paks has no idea what their long term goal is. She also doesn't display much in the way of ambition other than the rather childish dream of being a great warrior on a big warhorse. The politics of the world are largely uninteresting for Paks, she shows little interesting in the non-human sentients of her world (your regulars elves and dwarves mostly) and she doesn't seem to be very religious either. Even after it becomes clear that one of the gods worshiped in this world has taken an interest in events, Paks shows no initiative in finding out what is going on. Same goes for the magic she encounters during her travels. It is mention but never explored in any depth.
What remains is an account of two campaign years. Moon obviously has a good idea of how an army works, what it takes to move one and supply it and what the human toll of the fighting is. The military detail overwhelms the plot and bogs down the novel in several places however. As much as I appreciate the care Moon took to paint a realistic picture of what campaigning is about (if we overlook the fact that her soldiers are a bit too well behaved to be completely believable), it simply gets in the way of telling a good story.
So what does that leave us with. Sheepfarmer's Daughter is essentially five hundred pages of Paks going through the motions of becoming a mercenary and finding out how to be a good soldier, a lot of which is no more interesting that my average day at the office. She does what she is told, never seriously questions what she is doing and turns out to be good at pretty much everything she is required to do. In short, neither Paks, or the events described in the novel really managed captivate me. It is readable but I wouldn't go as far as calling it good. I understand that Sheepfarmer's Daughter was Moon's first published novel. One can only hope she has improved plotting and characterization since.
Book Details
Title: Sheepfarmer's Daughter
Author: Elizabeth Moon
Publisher: Baen
Pages: 506
Year: 2000
Language: English
Format: Mass Market Paperback
ISBN: 0-671-31964-7
First published: 1988
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