Showing posts with label Ted Chiang. Show all posts
Showing posts with label Ted Chiang. Show all posts

Wednesday, June 5, 2013

The Merchant and the Alchemist's Gate - Ted Chiang

The Merchant and the Alchemist's Gate is one of the three stories by Ted Chiang I hadn't read yet. The other two are What's Expected of Us, a flash piece published in Nature in 2006, and  his most recent story Dacey's Patent Automatic Nanny (2011), which can be found in the anthology The Thackery T. Lambshead Cabinet of Curiosities edited by Jeff and Ann VanderMeer. Missing out on this story was not for lack of trying, but the only paper edition I'm aware of, was published by Subterranean in 2007 and is pretty much unavailable unless you are willing to sacrifice your child's college fund. So a while ago I caved, figured out a way to avoid the region restrictions and got myself the kindle edition. Chiang has published only thirteen stories in since 1990, he likes to take his time and polish them to perfection. This novelette is no exception. I can see why it got him both the Hugo and Nebula.

The story is set in Baghdad and Cairo. Chiang doesn't mention a date but it has the feel of the Abbasid Caliphate at the height of it's power, some time before the Mongol sack of Baghdad in 1258. It is the story of the fabrics merchant Fuwaad ibn Abbas who finds himself at the court of the Caliph to tell his unlikely story. A tale that involves alchemy and time travel.

I must admit I don't particularly like time travels stories. Mainly because they always manage to twist themselves into some kind of strange paradox. Chiang realizes this too and his story is basically built around the premise that it is impossible to change the past. Or as he puts it, we can only get to know it better. According to Wikipedia this story is an example of the Novikov self-consistency principle, a theory proposed in the 1980s by Igor Dmitriyevich Novikov that solves some time travel paradoxes in general relativity. Not sure if that was Chiang's inspiration but given the scientific themes in may of his other stories it would not surprise me at all.

The story doesn't concern itself with science though, but makes its point through three short tales, all told by Abbas. In fact, one could easily read it as a reflection on matters like fate, destiny, and determinism. Compared to many other works by Chiang it is a surprisingly light but sophisticated bit of writing, with some complicated questions hidden in the simple structure of the merchant's storytelling. As usual, the story is very polished. The prose is beautiful and Chiang carefully avoids overdoing the courtly rhetoric. The merchant speaks eloquently but not beyond what one would expect of him.

I don't think this story packs the punch of some of Chiang's other stories but it is very well written. Every time I read one of his stories I wish he was a bit more productive but maybe this kind of storytelling takes a while to be properly transferred to paper. It is amazing how someone can have such a huge influence on the genre. The Merchant and the Alchemist's Gate is a gem and after reading it, I am even more annoyed it to me so long to get hold of a copy. Maybe I should have considered listening to the free online audio version that can be found here.

Book Details
Title: The Merchant and the Alchemist's Gate
Author: Ted Chiang
Publisher: Subterranean Press
Year: 2011
Language: English
Format: e-book
ISBN: 978-1-596-06446-1
First published: 2007

Wednesday, February 16, 2011

Stories of Your Life and Others - Ted Chiang

Ted Chiang is an author who clearly puts quality over quantity. Since the publication of his first story, Tower of Babylon, in 1990 only eleven more of his stories have been published, none exceeding novella length. Stories of Your Life and Others contains all of his output between 1990 and 2002, when the original version of the collection was published by Tor. Chiang was not happy with the way Tor treated his work however. He felt he was rushed on the final story in the collection, a previously unpublished piece called Liking What You See: A Documentary and didn't like the cover art. I don't particularly dislike the original cover but I must admit the cover of the Small Beer Press edition, which Chiang commissioned himself, is a fine piece of art. The collection is packed with award-winning material. The eight stories won an incredible three Nebula's, a Hugo, a Theodore Sturgeon Memorial Award, a Sidewise Award and Locus Award. The collection itself won a Locus as well. People must really like his work and I happen to agree with them.

Warning: I am not holding back on spoilers of this one.

The collection opens with Towers of Babylon (1990) is a retelling of the biblical tale included in the Book of Genesis. For generations people have been trying to get literally closer to God by building a tower that will reach heaven. Chiang examines this story from the point of view of the men who are hired to break through the vault of heaven. Chiang describes the final stages in constructing this miracle of engineering. It's a tale that could be as easily called fantastic as science fiction and one of a number of stories that have a religious theme to them. It reminded me most of the Exhalation (2007), a story not included in this collection, for it's mechanical world view. The end is not entirely unexpected, the reason why I think it is one of the lesser stories in the collection, but it is still a well-written and interesting tale.

Understand (1991) is the second story of the collection (it can be read online here). The main character is undergoing experimental treatment for severe brain trauma. The new drug restores his brain but it doesn't stop at just repairing damage. A noticeable increase in his intelligence is the result. So what if he took another dose? Chang sets himself a real challenge here. The main character's intelligence reaches frightening heights as the story progresses. He does a marvellous job of keeping it understandable to for the reader anyway. What struck me most about this story is the tragic ending. The way the eventual confrontation between two hyper-intelligent people plays out and their ultimate conclusion that their goals are not compatible are certainly food for thought. Each of them so confident in their abilities and the unshakable foundations of their insight that neither is willing to give way. Meeting someone who truly understands their insights is not a humbling or inspiring experience but a challenge and a threat. Did their experiences hiding from the authorities induce this mistrust? Would leaving them a choice besides running have lead to a different outcome?

The collection moves on to Division by Zero (1991), a story about mathematics and suicide (among other things). This story is also available online. What if you worked all your life as a mathematician, only to find out that it is possible to prove that any number is equal to any other number, or to put it in other words that arithmetic itself is inconsistent. Shit! Chiang describes the psychological effect the discovery has on mathematician Renee. He partly shows it to us form the perspective of her husband Carl. Someone to keep an eye on in this story. It is not as obvious as with Renee but there is a profound change taking place in his character. One of the things I particularly like about this story is the way Chiang switches between often quite emotionally charged scenes with Renee and Carl and short bit of text that show us how much trouble division by zero can be in mathematics and what it takes to find a proof of something as intuitively obvious as 1+1=2.

The fourth story in the collection is the one that gave it its name. Story of Your Life (1998) is probably the strongest piece in the collection. Chiang does so many interesting things with this 50 page text that I don't even know where to begin. At first glance it appears to be a first contact story. An alien race referred to as Heptapods land in various locations on earth. While the earth is holding its breath, The aliens seem happy just to wait and observe. That is not in humanity's nature however. Quickly scientists are summoned to try and communicate with them. One of them is linguist Louise Banks. Together with physicist Gary Donnely she tries to figure out a way to communicate with the Heptapods.

Linguistics is at the heart of the story. If it was the spoken language she was trying to learn, I'd say that what happens to Louise is an extreme version of the Sapir–Whorf hypothesis, the idea that language affects the way people think. The Heptapods' language takes a more holistic approach than we're used to. Instead of cause and effect they perceive an action as a whole and as a consequence know both the initial condition and outcome before it is initiated. Chiang slowly develops this idea over the course of the story until the full impact of what Louise has learnt hits the reader. When it does, a second layer of the story, the sections written to her daughter in the future tense, fall into place. She knows and yet is willing to initiate the action. Would you be willing to go through with it, knowing so much heartache lay ahead? This story is a marvel of pacing. One of the best pieces of short fiction I have ever read.

Seventy-Two Letters, the fifth story (it can be read here) in the collection is quite a different piece. It has an steampunkish atmosphere to it. The story is set in Victorian London where kabbalism and strange science are practised and where the true name of objects can animate them to an extent. I didn't think it was the most exciting story in the collection but I loved the way Chiang works in some of the prejudice of those days into the story as well as the references to the Luddites and to the belief that a sperm contained a fully formed human. The author picked some strange elements to build this particular tale.

Chaing, to date, has published two of his short stories in Nature. This collection contains one of them: The Evolution of Human Science. The premise of this story is somewhat disturbing. He imagines a future in which humanity has been intellectually outpaced by meta-humans. It has been decades since a human has been able to contribute any original research. It's a very short work, four pages, and I am not quite sure what to make of it. Perhaps a comment on the development that it takes a lifetime of dedicated study to be able to keep up with even a small sub field in one of the sciences?

Like the opening story, Hell is the Absence of God has a distinct religious theme. Angels visit the earth regularly performing miracles but also killing people in the process. People who can then be seen to either descend to hell or rise to heaven. Hell is not the inferno Dante described but rather a place where the influence of God is completely absent. This not a deterrent for everyone and there are quite a few people are not overly religious. Neil Fisk is one of them but after his wife Sarah is killed in a visitation and ascends to heaven, the only way to be reunited with her is by getting into God's good graces. It's a tragedy really, God doesn't turn out to be a nice guy. But then, Neil is not a model believer either. There are some interesting ideas on God and what hell might be in this story, ideas that could probably provoke a strong reaction in the truly religious. I'm not one of those people however. Although it is a well written story it didn't have quite the impact on me other pieces in this collection have.

The final story is Liking What You See: A Documentary. It is the only one original to this collection and the one Chiang felt he was being rushed on. He even turned down a Hugo nomination for it because it didn't turn out the way he wanted. I have no idea what Chiang would have liked to change about the story but I think it is one of the strongest pieces in this collection. It deals with beauty and people's reaction to it. It has long been known that beautiful people are better liked, more successful, earn higher salaries etc. What if there was a procedure that would shut down this response to a pretty face in brain? What would children growing up being able to see beauty but without the instant reaction to it grow up like?

Liking What You See: A Documentary explores this question in a series of interviews with people who are in some way involved in a vote on a university to make this treatment called calliagnosia mandatory for all students. The thoughts of first year student Tamera Lyons, a girl grown up with calliagnosia, are the backbone of the story. She's curious to find out what the world looks like without part of her brain disconnected but clearly a lot of people see the benefits. The statements of various people involved, are brief and to the point, sketching in a few lines the basic position of the speaker. The statements are political, theological, philosophical or just very personal and the entire story carries an undercurrent of economic interests. The procedure is almost without side-effects, something that seems a bit unlikely to me. It does not suppress sexual attraction between people for instance, or make the patient completely unaware of beauty. I guess it is the author's way of keeping us focussed on the dilemma the treatment causes. Everybody intellectually knows we respond to beauty and that the choices we make because of it are not always wise or fair and that is is responsible for some deep wounds in the psyche of people who don't come close the the ideal. On the other hand, would you really want to go without that? And would you accept someone deciding for you in this matter?

Stories of Your Life and Others contains a number of amazing stories. Chiang has filled this collection with intelligent, multi-layered and thought-provoking stories. The truckload of awards these stories gathered should have been some indication, they can't all be wrong, but it still impressed me mightily. It's a collection any fan of science fiction or short fiction in general ought to read. The stories are polished to perfection by the author. Chiang produces stories to be cherished. I'd be tempted to say I wish he'd write more, but if I look at the gems he produces writing one story every other year or so, I would not care to rush him.

Book Details
Title: Stories of Your Life and Others
Author: Ted Chiang
Publisher: Small Beer Press
Pages: 281
Year: 2010
Language: English
Format: Paperback
ISBN: 978-193152072-0
First published: 2002

Monday, October 4, 2010

The Lifecycle of Software Objects - Ted Chiang

Ted Chiang is a remarkable author. He has only twelve published stories to his name, none of them exceeding The Lifecycle of Software Objects in length, in the space of twenty years. What's even more remarkable is that he's won an astonishing number of awards for them. Chaing is the winner of four Nebulas and three Hugos as well as a number of other awards. I would not be surprised if this novella ended up on the nominations lists next year as well. I've only read one story by Chiang, Exhalation, which is available online here in various formats. Exhalation is one of Chiang's award winners and deservedly so. Still, one story is not a solid basis for any kind of expectation so I was not quite sure what to expect.

The novella is inspired by a quote of Alan Turing, the man who invented the Turing test, an idea that frequently surfaces in science fiction. The quote itself is on the front flap, which should be read before starting the actual story. It puts the novella in a very different light. To quote from the front flap:
What's the best way to create artificial intelligence? In 1950, Alan Turing wrote, 'Many people think that a very abstract activity, like the playing of chess, would be best. It can also be maintained that it is best to provide the machine with the best sense organs that money can buy, and then teach it to understand and speak English. This process could follow the normal teaching of a child. Things would be pointed out and named, etc. Again I do not know what the right answer is, but I think both approaches should be tried.'
The second approach is what interests Chiang. In the novella the development of pieces of intelligent software named Digients, being raised by their human owners. The creators made sure they are docile and built in a lot of fail safes to prevent abuse but the Digients are able to learn and nobody knows exactly how far they'll develop. The Digients sell like hotcakes for a while but soon interest fades and new projects swallow the attention of companies and consumers. A small group of people, including some of the developers keep on taking care of their Digients for various reasons. None of them know how far they can take the development of these creatures.

Last week I reviewed another Subterranean publication and again I am very impressed with the looks of this book. Despite it's 150 pages, The Lifecycle of Software Objects is a novella length work. Part of the page count comes from the beautiful illustrations in the book created by Christian Pierce and Jacob McMurray. Some of them are depictions of robots in various states of (human) development, others are roadmaps linking components of behaviour and intelligence.

The first thing I thought when I finished the novella is why the hell isn't this a full novel? Chiang gives us a taste of a fascinating subject but he could have easily put a bit more flesh on the bones of this story. The Lifecycle of Software Objects covers about ten years in all and we make great jumps though the development of the Digients and their owners. The developments in wider society are covered briefly, there is barely a hint about the characters' pasts. The story is very focussed on the idea of creating artificial intelligence and letting it develop in an almost organic way. As such it reminded me very much of some of the older science fiction I've been reading, although I rarely come across a novel in which the central concept is so sophisticated.

The development of the Digients themselves is marvellously done in this novella. Early on in the story the Digients are toys to most people (Elizabeth Bear refers to the Tamagochi in her review on Tor.com), with only a small number realizing they can be more than that. Gradually the view changes from pets, to small children, to adolescents and finally... to adults? There are quite a few things in this novel that a parent would recognize. Chiang touches on issues like financial responsibility and even sexuality in a fairly direct way. At the same time, the Digients are not (digital) people. They have their own problems, limitations and challenges to deal with and since they are the first generation, dealing with them is often trail and error. There are many unknowns, including their legal status.

The Lifecycle of Software Objects is a very interesting little work. It raises a lot of questions for which no simple answers exist, as the ending of the novel clearly shows. Despite the brief descriptions of the various episodes in the development of the Digients I thought this novella a very interesting read. There is no doubt some people will be put off by the fact that it is such a focussed work. Even if it concentrates on the project of teaching software as you would a child, this book leaves the reader with plenty to think about. How much of the Digient's personality is due to the upbringing it receives and how much of it is simply programming? Does it matter that some of the characters form an emotional attachment to a piece of software? How sophisticated an intelligence does it have to be for that be be considered normal? At what point does the Digient become something more than a smart program? What are the consequences of that? The Lifecycle of Software Objects is a thoughtful tale and a peculiar one. I think it might be one of those love it or hate it stories. Personally, I loved it.

Book Details
Title: The Lifecycle of Software Objects
Author: Ted Chiang
Publisher: Subterranean Press
Pages: 150
Year: 2010
Language: English
Format: Hardcover
ISBN: 978-1-59606-317-4
First published: 2010